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      <image:title>Home</image:title>
      <image:caption>Proof sheet, archeological photographs of Mahdia, Tunisia (1960). Fonds Alexandre Lezine, Maison Méditerranéenne des Sciences de l’Homme, Aix-en-Provence.</image:caption>
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      <image:title>Bio</image:title>
      <image:caption>Damascus Room, LACMA M.2014.33.</image:caption>
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      <image:title>Scholarship - Make it stand out</image:title>
      <image:caption>Al-Farabi’s cumulative model of human associations.</image:caption>
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      <image:title>Scholarship - Make it stand out</image:title>
      <image:caption>Archival clipping from the personal papers of the architect William Tapia Chuaquí of an advertisement for Madeco copper company featuring La Mezquita As-Salam (labelled ‘La Mezquita al-Nur’), originally printed in El Mercurio June 20, 1991. Courtesy of William Tapia Chuaquí.</image:caption>
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      <image:title>Scholarship - Make it stand out</image:title>
      <image:caption>“Bathing beauty,” fresco on west wall of reception hall (detail), Quṣayr ʿAmra, Jordan, 724–744 C.E. (Umayyad), stone masonry, interior decorated with wall frescoes and mosaic floors, patron: the prince al-Walid ibn Yazid ibn ʿAbd al-Malik (photo: MCID Columbia University)</image:caption>
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      <image:title>Scholarship - Make it stand out</image:title>
      <image:caption>Sphero-conical vessel, probably from Egypt, tenth–twelfth century. Earthenware, molded; height: 4 ₃/₄ inches (12.06 cm); Los Angeles County Museum of Art, the Madina Collection of Islamic Art, gift of Camilla Chandler Frost (M.2002.1.126). (Photo: Courtney Lesoon)</image:caption>
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